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Stretch Out the Spark

by Daryl Gussin

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1.
For so long We’ve been in this drifting fall Trying to dig a pad in the sand Shovel in hand Hoping we can land But it’s so small And it’s been for so long It’s so small For so long Trying to illuminate the dark Trying to stretch out the spark But it’s so dark And it’s so small It’s been for so long It’s so small Like a whisper in the storm Like a beetle in the swarm Like a letter on a page Of a book on a shelf In a library that’s burning to the ground Burning to the ground Burning to the ground We are so small Could it mean anything at all It is so dark And it’s been for so long We are so small We are so small
2.
I’m smelling the scent of rebirth I’m taking it for all it is worth I’m sticking my hands in the dirt I’m smelling the scent of rebirth I’m smelling the scent of rebirth I’m taking it for all it is worth I’m jamming my hands in the dirt I’m smelling the scent of rebirth Subtlety has come a long way From the news rooms of the failed states Digging out the bodies Of derailed trains And those fences you walked on? They no longer remain
3.
Striketober came and went unnoticed again The streets were run but few listened And those who heard the words couldn’t be burdened Priority goes to the scratch, everything else gets scraps They don’t think you deserve what they have They’re wrong Sedated and berated generation Another era of lowered expectations If it’s true that all wealth comes from pain Fuck them all, they’re all the same Fuck them all, they’re all to blame They don’t think you deserve what they have They’re wrong Fuck them all, they’re all the same Fuck them all, they’re all to blame They don’t think you deserve what they have They’re wrong
4.
Artistic phonies make these moments so lonely When you reach out and see that no one’s there Your politics have run dry You’re spitting sand and no one cares What do you even want from this stuff And what does it want from you When are you going to get what you want And what are you going to have to do? Like a car wrapped around a tree with the hazardlights on Dead end Hop the fence Run into the night And never look back
5.
You found a note in a book That was written by a friend Who you never thought you’d Think about again A liar and a crook A bastard to the end But you just can’t help by miss them A welcome overstayed A good-bye delayed What do you say to get you through your day A welcome overstayed A good-bye delayed What do you do when nothing feels good for you True to you Meant for you Truly meant for you Push away today What you embrace tomorrow It’s alright The path you walk today May feel lost tomorrow It’s alright A welcome overstayed A good-bye delayed What do you say to get you through your day A welcome overstayed A good-bye delayed What do you do when nothing feels good for you True to you Meant for you Truly meant for you
6.
Hey there shittalker Why don’t you come over And play with the sands of time When the truth is light And the words are spry You know the end is nigh You’ll drag your feet into change Looking for a new source of blame But you know in the back of your mind You were wrong every time Permission and defiance Where do you find it Permission and defiance What makes you excited Permission and defiance Permission and defiance Permission and defiance What do you dream of at night?
7.
Are you achin’ to be Over afternoon tea Looking for your name In the free weekly Well it’s a big shed And there’s a lot of tools in it Whoever could have imagined An artist without a market So eager to sell their wares And just nobody cares Artist without a market Completely unknown Artist without a market Is never alone Are you working as a drug dog now Sniffing stalls all over town Doing the work without the perks Going home feeling like a jerk Well it’s a big shed And there’s a lot of tools in it Whoever could have imagined An artist without a market So eager to sell their wares And just nobody cares Artist without a market Completely unknown Artist without a market Is never alone
8.
Homeless man with a bag in his hand This isn’t something that you understand Who drew these lines that you see in your mind How would it feel to be on the other side Every living creature deserves your sympathy Courage against the curse of apathy We only know what we know But there’s always room to grow And the hope lies outside the divides Unconquered and resilient in our respect for life On the same side Same team That is the dream That is the dream Meat market religion And the believers with their shivs Your porcelain god is quick to forgive It’s a game of sides, that’s played with lives Self gains fuel it everytime And I know that he may be somebody’s son But I still cheer the fist to the face of the nazi scum Watch him run And pray that he sees the lines That someone drew in his mind And pray that he sees the lines That someone drew in his mind
9.
How many lives do you live in a day How many lies do you live in a day How many lives How many lies How many lives do you live in a day Go ahead and sully my name Make it sting all over again Don’t know who’s wrong Or who’s to blame Go ahead and sully my name I don’t know what to trust or who My heart is beating like it doesn’t want the truth
10.
Spend your days thinking about places That you’ll never go Spend your nights dreaming about faces That you’ll never know Go to the cold Go to the flames Tell them that they’re both the same Dig a hole for pleasure Dig a hole for pain You’ll know that they’ll never be the same No one’s gonna hold a bad day against you But hold onto your heart When that grip slips You slip Dig a hole for pleasure Dig a hole for pain You’ll know that they’ll never be the same Are you hopeless Am I hopeless too Is everyone just sick of explaining us the rules No one’s gonna hold a bad day against you But hold onto your heart When that grip slips You slip
11.
Keep it personal Keep it political Without sounding too damn typical And the poor will do the chores While the comfortable walk through open doors And the books in the fire Continue to burn And the history lessons Go unlearned Now I’m limping out of another weekend Taking stock of the injuries I endured And the power structures remain and All the bastards that are to blame are Sitting somewhere I’ll never know Watching all their monies grow but I can think of two things that they’ll never own Followed a scent and found each other Knew the stakes and gambled together Years at length yearning for each other Till the days that we could be together Sat in the grass at PCC And watched the flames surround the observatory Now I’m limping out of another weekend Taking stock of the injuries I endured And the power structures remain and All the bastards that are to blame are Sitting somewhere I’ll never know Watching all their monies grow but I can think of two things that they’ll never own
12.
We’re so small And it’s so dark It’s been for so long Could this mean anything at all Oh fuck it must And if it doesn’t Just pretend like it does Cause it’s all you got And then you’re done You get to hear the rain on the leaves And then you’re done

about

PREFACE

You can pretty much blame Akihiro Toshima for this entire album. Every outta key vocal, fumbled chord, and half-cocked concept. He asked me to contribute an acoustic track for the Tomoshibi compilation and I was so bogged down in pandemic doldrums I said yes even though I had never really played the acoustic. The idea of something new and self-contained was really the only exciting part to me, and so I started chunking away in my room. Re-wrote the music to some lyrics I had written for Marriage Material and recorded it a couple weeks later in the Razorcake Podcast Studio after watching a couple informative Youtube videos on mic positions for acoustic guitar. The end product was maybe something that wouldn’t impress most musician-types, but like I tend to say: at the very least, I impress myself.

I was really holding my breath from like 2007 to 2020 waiting for a self-sustaining musical experience. Recognition, modest financial gains, the piece of mind that my talents were on par with my heroes. When I finally let that go I was able to think in new ways. The liberating release. I exist in a grey area between musician and not musician, maybe we can just call it punk, or maybe there doesn’t need to be a word. But all I know is that I’m not a musician. Never was.

With these recordings I really took my hands off the wheel. Whatever I captured is what it was. A lot of first or second takes. This is possibly the danger of recording alone and with minimal knowledge, but it also allowed me to relish in the parts of the process I really enjoy. The “click” of a new song coming together. The satisfying completion of a new song every month. Grey area stuff.

Side A is about the songs. Read the lyrics and sing along. Side B is background music for reading the other writings to. But most importantly, enjoy as you wish. Pairs well with a refreshing beverage and an undying urge to burn it all to the ground.

-DG

credits

released August 1, 2022

All songs written, performed, and recorded by me.

Mixed by Matthew Miller, mbmmattmiller@gmail.com
Mastered by Crabby St. Clair, Owner/Operator Mastering
Ceramic by Elly Dallas, instagram.com/tenderspeck

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Daryl Gussin Los Angeles, California

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